Hire A Professional Carpet Care Company In Champlin, Mn

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byAlma Abell

If you have carpet in your home, you know it can be difficult to keep clean. You try to do everything you can to clean up after yourself. You spill something and you wipe it up right away. Unfortunately, a stain is going to come back unless it is taken care of properly. If this sounds like something you are going through, make arrangements to learn more about Carpet Care in Champlin MN.

With a little bit of effort after a spill you can have beautiful carpet once again. Always use a white towel to soak up the mess. Depending on what has been spilled, you will want to handle things differently. Never, under any circumstances, use bleach to clean your carpet. Not only will it wipe away any color, it will also weaken the fiber of the carpet. When this happens, you are going to have an area that just doesn’t look right. It is also important to remember you should never scrub a stain with a scrub brush. Instead, gently scrub the stain with a soft cloth. Only use a carpet cleaner that is made specifically for carpet. This will make a big difference as well.

Abbey Carpet and Remodeling of Champlin MN, has a strong reputation for installing quality carpet. If you are ready to replace the carpet in your home, make arrangements to do so right away. Someone will come to you and take measurements. They will also talk with you about the number of possibilities that you have to choose from when it comes to your carpet. The type of carpet that you choose is going to depend on which room it will be used in and how much traffic you have in that room.

After your carpet has been installed, make sure that you follow up with appropriate Carpet Care in Champlin MN. You are always going to want to clean up after yourself quickly. You will also want to have your carpets professionally cleaned on an annual basis. If you do this, your carpet will look amazing and you shouldn’t have to replace it for several years.

Ontario Votes 2007: Interview with Green Party candidate Brett McKenzie, London North Centre

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Ontario Votes 2007: Interview with Green Party candidate Brett McKenzie, London North Centre

Saturday, October 6, 2007

Brett McKenzie is running for the Green Party of Ontario in the Ontario provincial election, in the London North Centre riding. Wikinews’ Nick Moreau interviewed him regarding his values, his experience, and his campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

Warhol’s photo legacy spread by university exhibits

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Warhol’s photo legacy spread by university exhibits

Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Contents

  • 1 University exhibits
  • 2 Superstars
  • 3 Warhol’s photographic legacy
  • 4 USI exhibit
  • 5 Sources

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

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The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

It’s Warhol. He is a legend.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.

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Children enjoy interacting with the “Silver Clouds” at the Andy Warhol exhibit. Image: Snbehnke.

Kathryn Waters opens the Andy Warhol exhibit at USI. Image: Snbehnke.

At the Andy Warhol exhibit, hosts document all the names of attendees who have a sitting at the Polaroid booth. Image: Snbehnke.

Curator Kristin Wilkins shares with attendees the story behind his famous Polaroids. Image: Snbehnke.

A table decoration at the exhibit where the “pills” were represented by bubble gum. Image: Snbehnke.

Two women pose to get their picture taken with a Polaroid camera. Their instant pics will be hung on the wall. Image: Snbehnke.

Even adults enjoyed the “Silver Clouds” installation at the Andy Warhol exhibit at USI. Image: Snbehnke.

Many people from the area enjoyed Andy Warhol’s famous works at the exhibit at USI. Image: Snbehnke.

Katie Waters talks with a couple in the Silver Clouds area. Image: Snbehnke.

Many people showed up to the new Andy Warhol exhibit, which opened at USI. Image: Snbehnke.

At the exhibit there was food and beverages inspired to look like the 1960s. Image: Snbehnke.

A woman has the giggles while getting her Polaroid taken. Image: Snbehnke.

A man poses to get his picture taken by a Polaroid camera, with a white wig and a pair of sunglasses. Image: Snbehnke.

Finished product of the Polaroid camera film of many people wanting to dress up and celebrate Andy Warhol. Image: Snbehnke.

Viktor Schreckengost dies at 101

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Viktor Schreckengost dies at 101

Sunday, January 27, 2008

Viktor Schreckengost, the father of industrial design and creator of the Jazz Bowl, an iconic piece of Jazz Age art designed for Eleanor Roosevelt during his association with Cowan Pottery died yesterday. He was 101.

Schreckengost was born on June 26, 1906 in Sebring, Ohio, United States.

Schreckengost’s peers included the far more famous designers Raymond Loewy and Norman Bel Geddes.

In 2000, the Cleveland Museum of Art curated the first ever retrospective of Schreckengost’s work. Stunning in scope, the exhibition included sculpture, pottery, dinnerware, drawings, and paintings.

Wikinews interviews 0 A.D. game development team

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Wikinews interviews 0 A.D. game development team
November 19th, 2018 in Uncategorized | No Comments

Tuesday, March 22, 2011

0 A.D. is a historical, open source, strategy game, published by Wildfire Games. It focuses on the period between 500BC and 500AD. The game will be released in two parts: the first covering the pre-AD period, and the second running to 500AD. With development well underway, Wikinews interviewed the development team.

Aviv Sharon, a 24-year-old Israeli student responsible for the project’s PR, compiled the below Q&A, which the full team approved prior to publication.

French workers use threats in compensation demand

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French workers use threats in compensation demand
November 18th, 2018 in Uncategorized | No Comments

Friday, July 17, 2009Following similar threats by workers at New Fabris and Nortel, workers at JLG in Tonneins, France, threatened to blow up several platform cranes. The JLG factory announced in April 2009 that it will fire 53 of its 163 workers by the end of 2009, while the remaining 110 jobs will not be secure over the next 2 years.

JLG Tonneins was acquired in 2006 with its parent JLG Industries, a maker of aerial work platforms, by the U.S.-based Oshkosh Corporation. Despite being hugely profitable in the past, production has been much reduced since 2008 with the contraction of the construction industry and lower demand for its products. Despite excellent past results the new American management demanded sweeping cuts at the company.

In the view of locals, “the company’s actions are a disgrace given the expensive perks, such as official cars, for its corporate fat cats, compared to the sacrifice, silence, and dignity demanded by the company of those it has made redundant.”

The management offered severance pay of 3,000 (US $4,200), however the workers demanded a severance package commensurate with “the wealth that their labor has generated.” Worker’s delegates requested a “supra-legal” payment of € 30,000, on Thursday 16 of July the management responded with a counter offer of € 16,000. On Thursday night the worker’s actions secured the € 30,000 settlement initially demanded.

Pre Operative Diets For Obesity Surgery

November 18th, 2018 in Plastic Surgery | No Comments

Pre-Operative diets for Obesity Surgery

by

Seenath

It is important for the people to follow diet and eat some right foods before their Obesity Surgery because it will get their body rid of unnecessary fats which is stored in the liver and will get their body ready for the surgery.

When the date of a person s Obesity surgery nears, his idea about food consumption needs to change. He has to follow many diets and stop eating food which won t benefit their body. The size of portion, types of food a person eats and how one eats it matters a lot before

Obesity Surgery

. If you need a diet procedure to follow, your dietitian or surgeon can give you information for changes in your diet. Following diets and eating all nutritious foods is a part of your Obesity surgery and one cannot ignore it.

Following are some reasons why Pre-Operative Diet is important for Obesity Surgery.

It helps in reducing the abdominal and fat that is stored in the liver.

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It also protects in muscle tissues. Increase in protein will help your body to burn fat instead of using muscle tissues as a source of energy.

The body will be fit enough for the surgery and post surgery process.

One of the main benefits is that it gets a patient s body prepared for the post surgery diet. This includes more intakes of high protein, low fat and foods with low carbohydrates.

How long will be the Pre-Operational diet?

Pre-Operational diet is important for all patients who are opting for Obesity Surgery. The food and intake of nutrition s is determined by a person s weight and the type of Obesity Surgery he is going to have. Some pre-diets start before 2-3 weeks of surgery and some of them start before 3-4 months of surgery depending on the type of surgery a person is having.

Patients who lose an amount of weight before the surgery will face fewer complications after the surgery.

Surgeon will also make some important recommendations such as:

Quit Smoking.

No Alcohol intake.

Reduce the amount of food which you eat.

No other medicines except for the surgery or without the approval of your surgeon.

Dr. Muffazal Lakdawal

is expert in

bariatric surgery

and also the founder of Centre for Obesity and Diabetes Support, which is helping many obese and overweight patients.

Article Source:

ArticleRich.com

Mascots for Vancouver 2010 Olympics based on native mythology

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Mascots for Vancouver 2010 Olympics based on native mythology
November 18th, 2018 in Uncategorized | No Comments

Tuesday, November 27, 2007

The mascots of the 2010 Winter Olympics in Vancouver, British Columbia were just announced. Based on mythological characters, they are Miga, Quatchi and Sumi.

Miga, a sea bear who lives in the ocean with her family pod near Tofino, and Quatchi, a young sasquatch, represent the Olympics, while Sumi represents the Paralympics that follow afterward.

A sea bear is a First Nations creature, part killer whale, part Kermode spirit bear. While illustrated as being taller than the other characters, the mascot costume of Quatchi is the same height as the other two characters.

The third mascot, Sumi, an animal-guardian spirit, is a Thunderbird that wears the hat of an orca. Sumi will be the mascot of the Paralympics.

In 2004, the Times Colonist suggested a marmot might be a good mascot, except for their winter hibernation. The organizers still chose one, named Mukmuk, as their “virtual only” counterpart.

After the Olympic logo design was leaked the day before the 2005 announcement, organizers were extremely tight lipped until today’s news conference at a Surrey school. They apparently didn’t do any development on the characters on internet-enabled computers, to ensure the images or information wouldn’t slip out.

The characters were designed by the Vancouver and Los Angeles-based Meomi Design. Their characters have been used as part of iGoogle, a customizable homepage option from Google, as well as Electronic Arts, Girls Inc., Time Out Magazine, Cyworld, Nick Jr., Bang-on Clothing, and CBC4Kids.

The Vancouver organizers have a CDN$46-million merchandising program; previous Olympics have made as much as $100 million from mascot-related products.

René Fasel, Chairman of the International Olympic Committee’s (IOC) Coordination Commission commented that “The IOC welcomes these imaginative new additions to the Olympic Family as they take their place on the world stage today – a symbol of the Games and of Canada. We know that when Olympians, Paralympians and visitors from around the globe arrive in British Columbia at Games time, they will fall under the spell of these captivating characters.”

The characters first appearance will be at a Bay store in the Lower Mainland; HBC is a major sponsor of the Games. They will then make their way to schools, take a break through the Christmas season, and fly to Ottawa for the Winterlude festival.

Gastric bypass surgery performed by remote control

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Gastric bypass surgery performed by remote control
November 17th, 2018 in Uncategorized | No Comments

Sunday, August 21, 2005

A robotic system at Stanford Medical Center was used to perform a laparoscopic gastric bypass surgery successfully with a theoretically similar rate of complications to that seen in standard operations. However, as there were only 10 people in the experimental group (and another 10 in the control group), this is not a statistically significant sample.

If this surgical procedure is as successful in large-scale studies, it may lead the way for the use of robotic surgery in even more delicate procedures, such as heart surgery. Note that this is not a fully automated system, as a human doctor controls the operation via remote control. Laparoscopic gastric bypass surgery is a treatment for obesity.

There were concerns that doctors, in the future, might only be trained in the remote control procedure. Ronald G. Latimer, M.D., of Santa Barbara, CA, warned “The fact that surgeons may have to open the patient or might actually need to revert to standard laparoscopic techniques demands that this basic training be a requirement before a robot is purchased. Robots do malfunction, so a backup system is imperative. We should not be seduced to buy this instrument to train surgeons if they are not able to do the primary operations themselves.”

There are precedents for just such a problem occurring. A previous “new technology”, the electrocardiogram (ECG), has lead to a lack of basic education on the older technology, the stethoscope. As a result, many heart conditions now go undiagnosed, especially in children and others who rarely undergo an ECG procedure.

South Africa end All Blacks’ 15-game winning streak

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South Africa end All Blacks’ 15-game winning streak
November 17th, 2018 in Uncategorized | No Comments

Saturday, September 2, 2006

South Africa have defeated the All Blacks (New Zealand) in a rugby union Tri Nations match at the Royal Bafokeng Stadium in Rustenburg, South Africa. The final score was a one-point victory, 21 to 20, ending the All Blacks’ 15 game winning streak. For the Springboks, it ended a five-match losing streak. The All Blacks performed the controversial Kapo O Pango haka before the match. It was the final match for the All Blacks, who had already won the trophy two weeks ago. The final match of the series will take place at Ellis Park in Johannesburg next week, when the Springboks play Australia.

The first opportunity for points came in the 6th minute when New Zealand were penalised. South Africa opted to kick at goal, and even though there was some breeze at the ground, André Pretorius slotted it through the posts, giving South Africa a three point lead. However the All Blacks were able to even the scores in the 10th minute, with Dan Carter kicking a penalty goal after the Springboks were penalised for off-side near their line. Pretorius’ boot was accurate once again, when he successfully kicked another penalty goal in the 17th minute, giving South Africa the lead once again, six points to three. The first try of the match was scored in the 20th minute, when Carter crossed the line and after converting his own try, the All Blacks led 10 to six. However the Springboks bounced back within minutes, with wing Bryan Habana intercepting a New Zealand pass, and racing down to score under the posts. Pretorius converted from in front, and South Africa were back in front, leading 13 to 10. The All Blacks were unable to level the scores in the 27th minute, with Carter missing a penalty goal. The All Blacks’ were denied a try in the 37th minute when the television match official deemed one of the New Zealanders to have been an obstruction. Carter was able to level the scores on the stroke of half time with a penalty kick.

Pretorius attempted to put South Africa back in front, attempting two drop goals, though both missed. A line-out turnover soon led to Pedrie Wannenburg getting over the try line to score South Africa’s second try. Pretorius’ conversion was away to the left, however, South Africa were now leading 18 to 13, with over 20 minutes remaining in the game. Joe Rokocoko scored a try for the All Blacks in the 66th minute, and Carter converted the try from the touchline to give the All Blacks a 2 point lead, the score now 20-18 with 14 minutes remaining. Pretorius attempted another drop kick with nine minutes remaining, though it missed, and the All Blacks remained in front. The Springboks were back in front, by one point, 21 to 20, when Pretorius landed a penalty kick with two minutes remaining in the match. A New Zealand knock-on in the 79th minute led to a South African scrum. The scrum needed to be set a number of times, sending the clock into overtime. However the ball got out and the whistle was blown, sending the crowd and players into celebration.